Tuesday, December 15, 2009
More Twilight hating
Soooooo.....
Clearly, I take issue with this kind of thing. This is a T shirt transfer available from faboo on ETSY.
Saturday, December 12, 2009
Saturday, December 5, 2009
Twilight is Bad for Women, and Also, Bad.
I read the first and part of the second books in the Twilight series. Not because I'm a masochist, but because I love good young adult literature. Well, as a person who finished Finnegans Wake, Infinite Jest and most of William T. Vollman's books, I can tell you, this shit is unreadable.
The writing is bad. Just.Really. Fucking. Awful.
But it has beautiful vampires and is set in the Pacific Northwest and had crazy marketing so teenage girls flocked to this pile of manure in droves not seen since the height of the NKOTB madness of the late eighties*.
But worse than being bad, this series seems dangerous to me.
The thing that bothers me is that those who are rallying behind these books/ movies (due mostly to Meyer's Mormon faith, methinks) continually point out the strength and independence of the prtoagonist, Bella. Because the book tells you she's independent. But her behavior holds up traditional gender norms of women being beautiful, virginal, and submissive. Bella's obsessive thoughts about Edward are normalized in the world of Twilight and the violence between them and around them is normalized because it is surrounded by or associated with traditional romance imagery and props. This reminds me of an amazing article I read this semester written by Jennifer Dunn called “What Love Has to Do with It: The Cultural Construction of Emotion and Sorority Women's Responses to Forcible Interaction". Using the Interactionist perspective, Dunn examines the emotional response to and interpretation of “forcible interaction”, a qualified group of behaviors that run the gamut from “pestering” to “stalking” that transpires between two people when one is attempting to take by force what is normally freely given. What she found was how the “influence of courtship imagery” shape these women's “interpretations of unwanted attention”. This pattern was most pronounced in consideration of men they had been in long-term relationships with, but it was also present in the context of men they had simply dated. There was a “range of attempts” considered: leaving a gift, waiting at the respondent’s residence with flowers, leaving messages, showing up (sans flowers), following and suicide threats. All of these behaviors were understood to be forcible interactions but when they were framed with the “trappings of love” the women were much more likely to ameliorate the behavior into something they viewed as acceptable. Thispresents evidence of how women participate in their increased vulnerability to forcible interaction and how such behaviors are codified as acceptable when in the context of romantic relationships. Sound familiar?
Look at that poster.
A friend posted an article on FB that points out that by all measures, Bella and Edward are in an abusive relationship. Ha ha, Oh wait, no really.
This shit really bothers me. What are we teaching a whole generation of young women? I'm not saying that girls read Twilight and are suddenly spineless, boy-obsessed and sexually chastened morons, but I'm saying it doesn't help to have such a salient cultural touchstone be championed for having a strong woman protagonist when in fact it has the opposite. Bella is not strong, not independent and is kind of an idiot. Also, sex and violence are all mixed up and worst of all, she's made to feel guilty whenever she feels desire. . It really really really really really really bothers me that when Bella expresses physical desire she in punished in some way. Sex is always dangerous or imbued with violence. This is not OK. This is fucking bananas, and bad for women, and also, bad.
So.
Let's not, mmkay?
Thoughts?
* Madness which came to a screeching halt in my elementary school due to my brother circulating the rumor that Joe was rushed to the hospital with a stomach full of sperm. Jordan's sperm. I remember one friend, crying into her pencil box in the girls bathroom at T.A. Hendricks, wailing, "Joe! How could you do this to me!" Not to be judgemental, my first concert was NKOTB with my sister from another mister the night before Martin Luther King Day which her school failed to recognize so she had to get up and go to school while I got to sleep in. Oh, Indiana.
Thursday, December 3, 2009
Monday, November 30, 2009
New! Favorite! Website!
I know I say this about once a week but really this site is killing me:
http://pictureisunrelated.com/
Wednesday, November 25, 2009
Gendering Christmas: or Apparetly there's only room enough in this town for ONE red suit.
photo from News and Observer / Debra Goldman
from New Raleigh:
Wonder why you didn’t see Mrs. Claus aside Mr. Claus at Saturday’s Christmas Parade at Raleigh? No, it wasn’t something simple like “She was sick”. Instead, Mrs. Claus was banned from dressing up in the red and white by the Greater Raleigh Merchants Association, the N&O reported Saturday morning. It was recently elected City Council candidate for district B and Raleigh Merchant’s Association executive director John Odom made the call.
from the News and Observer
John Odom, executive director of the Greater Raleigh Merchants Association, which runs the parade, said it’s confusing for children to see two people in Santa suits. He said it’s a policy that only Santa may wear the official outfit.
Parade officials even discourage people from wearing Santa hats, Odom said.
It was unclear how common youthful confusion of Santa and Mrs. Claus might be, and what harm might result from the misapprehension. Dr. Joseph Loibissio, a Wake Forest pediatrician, said Friday night that children can generally identify genders by age 3.
Several things strike me about this:
One is just about Mrs. Claus in general. I haven't spent a lot of time thinking about Santa Claus since I was six and figured out that if the chocolates in my stocking came from Molly's Sweet Shop on the circle in Shelbyville that Santa was likely not real (oh the deductive reasoning of children!). But really, Mrs Claus basically represents the worst kind of traditional gender scripts, and becomes increasingly outdated. We do know that Mrs. Claus first appeared in 1890, in a book of poetry called "Sunshine and Other Verses for Children." The book's author, Katherine Lee Bates, also wrote the words to the song "America the Beautiful." That seems apropos, somehow.
From Wikipedia
Since 1889, Mrs. Claus has been generally depicted in media as a fairly heavy-set, kindly, white-haired elderly female baking cookies somewhere in the background of the Santa Claus mythos. She sometimes assists in toy production, and oversees Santa's elves. She is sometimes called Mother Christmas[citation needed], and Mary Christmas has been suggested as her maiden name.[citation needed]
Her reappearance in popular media in the 1960s began with the children's book How Mrs. Santa Claus Saved Christmas, by Phyllis McGinley. Today, Mrs. Claus is commonly seen in cartoons, on greeting cards, in knick-knacks such as Christmas tree ornaments, dolls, and salt and pepper shakers, in storybooks, in seasonal school plays and pageants, in parades, in department store "Santa Lands" as a character adjacent to the throned Santa Claus, in television programs, and live action and animated films that deal with Christmas and the world of Santa Claus. Her personality tends to be fairly consistent; she is usually seen as a calm, kind, and patient woman, often in contrast to Santa himself, who can be prone to acting too exuberant. In some modern adaptations, Mrs. Claus is shown with a younger, even sexier appearance.
So some interesting themes present themselves. She is typically shown doing traditionally feminine tasks (baking cookies, "mothering") and she is almost always shown in the background. She is presented as a foil to Santa Claus (what is not masculine = feminine).She is passive, nameless and depicted as a helper to Santa, as opposed to a person in her own right.
Maybe that's why her presence has faded since her pinnacle in the 1960s.As the world changes, our archetypes likely change too(at least somewhat). Maybe she has become less salient because she no longer represents and ideal. Maybe it's time we liberate Mrs. Claus. I mean she doesn't even have a first name, ferchrisakes.
Updating Mrs. Claus for the aughts ought not automatically mean sexualizing her, however. (say that 3 times, fast) There is some argument that we automatically imbue Christmas with "sexiness" because we tend to sexualize everything. But Mrs. Claus seems to be the magnet for that energy.
But I digress.
By banning Mrs. Claus from the Christmas parade, we are just reinforcing the message that women don't matter: they are faceless, nameless objects that can be used, ignored or shuffled to the background at will.
It sounds to me like Mrs. Claus was usurping some of the attention away from Santa, a symbol of patriarchy, and that shit won't stand, at least as far as the greater Raleigh Merchant Association is concerned.
Because, really? We're worried about confusing the kids? It sounds like we are worried about confusing the kids about who's important.
Apparently there's only room enough in this town for ONE red suit.
Monday, November 23, 2009
MIA
I miss you!
Tonight I watched some classmates give a presentation on advertising and they had four commercials from YouTube as examples. 3 of the 4 commercials used traditional gender scripts and assumption about the internalization of those scripts. What's scary about commercials is that we see them OVER and OVER and when they use humor we pay attention to them even more, but fail to notice the other, subtler messages they send, like all women should be thin and work out constantly, or all men should be in charge of the grill--because that's the man's domain. Send me your favorite commercials, I want to keep thinking about this stuff. In the meantime, here is something to think about UNTIL I RETURN....(cue scary laughter)
Notice how Nigeria is supposed to be a scary and dirty place? Notice how it's contrasted to the clean, safe white world?
Notice how this commercial only works if that stereotype is internalized?
Send me your links!
UPDATE:
Here are some of the videos friends sent.
Keep sending them in!
Tuesday, November 17, 2009
"Hit The Bitch": Or how The Danish do Domestic Violence Awareness
From AdFreak
There are subtle ways to raise awareness about relationship violence. And then there's "Hit the Bitch," a Web campaign by a Danish advocacy group. Setting up an interface where you're encouraged to slap and punch a woman seems pretty extreme. It's almost like an advergame, except you're delivering an adverbeating! (You can use the mouse, or connect with your Webcam and swing at the girl with your hand.) Getting called a "100% idiot" at the end doesn't feel like much of a rebuke. Perhaps you're supposed to feel guilty, like a real-life abuser might, for continuing to hit the woman just to see what happens next?
Un-fucking-believable.
From Sociological Images
At the top, a counter keeps track; you start out as 100% Pussy, 0% Gangsta, but your Gangsta rating goes up every time you hit her.
Apparently, though, when you get up to where you’d be at 100% Gangsta, it instead says 100% Idiot, as though this is a real put-down that is going to make you think really seriously about domestic violence.
I am trying to think of any context that would make this seem like a good idea, or an effective way to combat domestic violence. I mean, ok, yeah, I guess people might be made more aware of it after hearing about or playing the game, but is it likely to have any positive effect? It seems more likely that people who don’t already take domestic violence seriously would either be uncomfortable, leave the site, and never think about it again, or find it funny to play for a few minutes just to see what would happen…and somehow encouraging people to slap around an image of a woman for fun seems like a really weird way to get people to think more seriously about domestic violence.
I have no words. thoughts?
Tuesday, November 10, 2009
Saturday, October 31, 2009
The Weight
How do you tell someone you love that someone they love is going to die?
Right now the Bagel is going through some hard stuff.
I come from a big family. Nine aunts and uncles on my mother's side. Thirty-three first cousin. I had an uncle, Don Whaley, who promised to give me a pony if I would come live with him in Texas, who gave me bubble gum against my mother's express wishes and who worked with B.F. Skinner in behavioral psychology and is one of the founders of the discipline, and he told my aunt Nan once at a funeral, "Nanny, we've got a lot of people to bury." My uncle Don, the smartest man I knew, died when I was four and we buried him on Halloween. He was an amazing person, and every day I hear his words in my head.Oh man, was he ever right.
I had four grandparents, like everyone else, I guess. But I have attended the funerals for all of them, each one successively more difficult.
What do I tell my husband, as he experiences tremendous loss for the first time?
Thursday, October 1, 2009
“So You Want A Social Life, With Friends,”
It comes from the poet Kenneth Koch a modern American poet who embraced the exuberance of (some) post modernists while refusing to mire his work in ridiculous navel-gaze-y self-aggrandizing experimentation. It is, however, lovely and melancholy and brilliantly observant of human behavior. I truly love the plethora of poetry on YouTube,everyone should take the time to check a few out.
This, by the way, is a portrait of Koch by the wonderful artist Alex Katz.
Tuesday, September 29, 2009
Well, someone finally got it right
Saturday, September 26, 2009
Monday, September 21, 2009
New assignement: fake obituary
Wednesday, September 16, 2009
"the impact...depends on who is watching it"
"This cartoon satirizes the common sitcom family that includes an average-looking, bumbling husband and a gorgeous, put-together wife. It reverses the roles to illustrate (1) how offensive these sitcoms are to men (men are useless oafs who can’t be expected to act like adult human beings) and (2) how we take for granted that hot chicks should marry useless oafs,"
"I know, it’s satire, and, if you’re a regular reader, you know how I worry about satire. To me, this points out how stupid (and gendered) family sitcoms are. But, for others, it might just reinforce the hateful stereotype that fat women are disgusting and useless. The problem is that the impact of the cartoon depends on who is watching it."
A-men!
I worry about satire too, it's so easily manipulated into the opposite of what it sets out to be.
Tuesday, September 15, 2009
Cupcakes make it better
Monday, September 14, 2009
The Wackness not the Dopeness
2) 17 hours this semester
3) no time for the gym in over a week
4) my exam tomorrow
5) fat jokes on a friend's Facebook update and The Daily Show
6) cigarettes
7) one of my classmates making me feel dumb b/c apparently reading Marx is sooooo easy for him
8) the healthcare "debate"
9) being broke
10) not sleeping
Friday, September 11, 2009
The Craziest Thing I Have Ever Read
Jesus Christ Bananas. I am speechlessThe dark undertones of this episode brought me back to a dark time in my life
uoufriot
7 Sept. 2009 | 12:13 AM CDT
As a teenager I suffered from severe depression and formed a strong bond with the character Garfield and his outlook. Its sad but reading garfield anthologies obsessively was the only thing that made me feel normal and it eventually took on something of an erotic fixation.
To avoid feeling like a sicko I drew pictures of garfield with a womans(Think Pamela anderson circa 1991) body and garfields head, so that I was assuredthat my fixation wasn't with animals or repressed homosexuality. This garfield/pam hybrid still had the same biting wit and acerbic outlook and tended to cut herself in self loathing while wolfing down a lasagna to fill the void after sleeping with drawings of a much more handsome and muscular version of myself. These drawings eventually evolved into erotic fanfiction starring garfield and myself (In my head Garfield still has a womans body but someone reading the stories would think Im having sex with regular Garfield.) I killed off Jon in a jealous rage, I didn't touch Odie, I enjoy his companionship and don't mind if he watches.
The stories are your pretty basic wish fulfillment stuff, balanced with self loathing rants. I've been doing this near daily for years and I have a substantial amount of writing in a folder I keep buried in 8 different folders.
It also gives this panel a seriously creepy vibe:
For those uninitiated, be sure to check out the melancholy world of Garfield's Jon, in a life of panels sans Garfield at http://garfieldminusgarfield.net/
Surreal, funny and heartbreaking. Unlike the previous joker who is just a freak.
Tuesday, September 8, 2009
The Door to Heaven
This last week I have been writing a piece for my Nonfiction workshop about Shelbyville. The assignment was to write about a small town I know well, so the choice was obvious. For those who don't know, Shelbyville is the town in Indiana I grew up in, until my family left after a series of personal disasters. For a long time, I didn't know if how I felt about my childhood there--idyllic, storybook, almost perfect--was the result of skewed perspective, sentimentality, selective memory. That may still be true, but after seeking the memories and recollections of childhood friends I realize that it was more complicated than that, a lovely place to grow up in but with an undercurrent of darkness that we rarely addressed openly.
Thank you to all those that helped me, that were willing to remember both the darkness and the light.
The Door to Heaven
In the thick of summer, the parks of Shelbyville, Indiana, shine and shimmer like emerald mirages amidst a desert of corn and soybeans. Moth-badgered Halogen lights illuminate well-tended fields of deep green and startling white, base lines as straight and predictable as the furrowed rows of the fields of surrounding farms. The community congregates to watch their sons participate in that most sacred and American rite of passage: Little League. Baseball fields are the non-denominational churches of summertime; the sounds of bats connecting with balls the hymns. The air lays like a hand across the back of their necks, a perfumed humidity that reeks of salted hot pretzels, drug-store cologne, chewing tobacco. There is a restlessness about them, the people of this town: this is only what they do while they wait for basketball season to start
Adults bring cheap Styrofoam coolers (won at Cagney’s Pizza for dining in ten times) filled with Miller Light and Schlitz in cans, sodas for the kids and the benefit of the umpires. As the parks technically prohibit drinking, each can is wrapped in some kind of koozie: pledging allegiance to the Shelbyville Bears, the Indy 500, John Deere--one nation under Bobby Knight. Tom Crean, two years in, is still the “new” coach of the Hoosier’s, still earning his stripes—and everyone likes to forget about the Mike Davis and Calvin Sampson years. The smaller children stand in front of the bleachers, grasping the slightly rusted metal of the chain-link fences that separate the spectators from the players. The metal diamonds leave slightly orange indentations on their palms as they make the metal ring with the tension of so many bodies leaning. The hands of their parents and neighbors grasp their slippered drinks as they sit on bleachers in duets or trios, singing the gospel of bases and boyhood, and they drink while they watch boys play ball.
Underneath the bleachers, scarred with the signatures and proclamations of love of five generations, are the kids who are not playing ball. So many girls, and boys also. Boys too old for baseball, or too cool or clumsy or too protective of their bodies as they condition for the “real” sport of the upcoming season. They sit in the shadows underneath their parents and watch the game occasionally, but more often watch one another. They sneak beers and wander to the dark spots of the parks, not wary of muggers or rapists, not wary of anything really, except more of the same. Sounds from the game occasionally echo around them, like apparitions of sound--phantom plays from ghost runners. They roll joints and pass them like collection plates. They flirt and sigh and posture as adults. They look at the imposing, inevitable Mid-Western skyline and wish they could get the hell out of this place.
Many of them do. Many leave, some stay, some leave and come back, some never look over their shoulders, afraid of turning to pillars of salt, of the terrible reach of aging parents, of the familiar, of the easy rhythms of being who you are in a place where everyone knows you and will only allow you to become so much.
At the heart of Shelbyville is a circle, with a fountain that runs until it gets too cold--usually October--a circle that used to comprise the hub of activity and business. Now industry in Shelbyville has moved to the edge of town, along the interstate, where Bruce Springsteen tells us there is darkness too.
Adults work for Knauf, the giant fiberglass-products manufacturer or for Major Hospital in the expanded oncology wing, or for Makuta, a medical device micromolder. Others work for Kroger, or the maligned school system. Some work for the Super Wal-Mart that drove all the useful stores downtown out of business. Now there are “boutiques” on the circle, filled with antiques and tchochkies, ceramic statues of the character Balzar holding two bear cubs, one in each upraised hand; Balzar from Charles Major’s signature work The Bears of Blue River, set in and about Shelbyille. Every year the last weekend of summer, the one before school begins, the town holds the Bears of Blue River festival to honor the author as its most famous native beside former tallest woman in the world, Sandy Allen. It used to last a week, now it is only three days. The smell of elephant ears and fried pork tenderloin sandwiches wrapped in see-through, grease-strained wax paper drift over the crowd that collects in front of the bandstand. The girls share pineapple whips, the kids eat tri-colored snow cones, the boys smoke cigarettes and watch the girls from under groaning metal bleachers. From this vantage point the country music sounds like it’s swirling in a tin can, piped over the thinnest of wires. The whole town tours the circle and the streets that shoot off like spokes on a wagon-wheel, walking the same paths through crushed wax Coca-Cola cups and smashed pop corn kernels over an over, for hours and hours, hoping to see something different, finding comfort when they don’t.
Except on the occasion of the festival, downtown feels hollow. If you throw a coin in the fountain, you can hear the echo bouncing off the windows of empty storefronts. A real statue of Balzar stands on the circle as well, looking over the still fountain, the empty circle, the town that ate itself, a ghost town, dead.
It wasn’t always like this.
When I was little my friends and I would walk the same pavement without thinking, barely watching for cars as we crossed roads and played tag in the streets. We stayed out until after midnight in the alley behind my house in the summers, our moms trying in vain to call us in. We walked downtown to the circle to sit on the fountain and cool off, get the humidity off our necks and watch the high school kids cruising, dreaming of the day when it would be us. We walked to school in the morning on the same streets our parents walked to the same schools. We walked and walked, getting nowhere, really, without knowing we would one day want walking to take us somewhere new.
When I tell anyone of a certain age that I am from Shelbyville, the town seems familiar to them, the name rings a bell. Their faces light up when they stumble upon it in the random highways and bypasses of tangled memory and recall nestled in their brains. Then they ask, always, inescapably, “Like from The Simpsons?”
No, not like that at all. It is not an imaginary place, my childhood home. I think.
Silvia’s mom worked for the Knauf’s. She cleaned their house, and lived in a small white cottage on the backside of their no kidding, real-deal, straight-up mansion, a model of the big house in miniature. They had two handsome sons they sent to boarding school in Switzerland or some such nearly unimaginable place. In this way (and many more) they were of the town, but not from it. For Silvia’s tenth birthday we were invited to a pool party at the Knauf mansion. Silvia broke her leg two weeks before. She rested on a chaise with her leg in white plaster, glowing like a lighthouse. She cried while she watched us, and we did nothing, continued to play, ignoring her on her birthday in pursuit of so much fun. Her mom, who reminded me of Sandy Duncan or some other cheery Disney heroine, died when we were young. It felt unreal, disconnected from the rest of our lives, death didn’t belong here, so I stopped thinking about it. For some reason, I have always felt worse about her party, her broken leg.
When something terrible or great happens to us, time becomes binary: before your divorce and after; before I loved you and after; before he lost his money and after. That is what time is like for me: there is my childhood in Shelbyville, and then there is after. More precisely, time has made Shelbyville binary: the town of my childhood and after. I do not want to go back there now, do not want to admit or despair what it has become. I do not want to turn into a pillar of salt. But I miss my town, and I miss who I was there. It was a place where I believed in God, where my home was a castle on a hill, where I was allowed to grow-up without fear. My happiness there is the barometer upon which all other happiness is measured, measured in the lengths of long summers of walking, in depths of admiring boys from and under bleachers, in widths between then and now.
One measure of a town is how it treats its eccentrics. Shelbyville has been home to a host of oddballs, iconoclasts, freaks and lucky losers. They say God looks over drunks and sleepwalkers, and if that is true, I am sure he also used to look after the most unusual residents of my home. It is no small thing to buck the tide of homogeneity in a small town. You may be branded an outcast, dangerous, treated as an outsider when inside access determines whether your business survives, whether your children are liked, whether you may sit in the bleachers with the rest of the town and take communion.
Pat drove a school bus and the town taxi, a service provided after the buses and trolleys stopped running. In the 1960’s she dressed as a man; her hair slicked back and smelling of lemons, the rough tan skin of her neck of Old Spice. She dressed in Dickies and mechanic shirts, and could be found at Bob’s Chug-A-Lug on the weekends with her girlfriend. When she got too far into her cups, she sang along with the songs of Hank Williams and Johnny Cash from the jukebox, off-key, and as lonesome as a hound dog in a chain-metal pen. She picked us up on Monday like the weekends never happened. The people of Indiana respect work ethic, and believe enough in it and minding your own business to repay deviance of one sort with the courtesy of pretending not to notice. It’s the children that notice, that make things awkward and unbearably honest in their asking, “Mom, is Pat a boy or a girl?” It’s complicated.
My father ran an appliance business on the circle, in the tradition of his father before him. I was raised, in part, in this store. We spent hours, days, weeks, climbing refrigerator and washer-dryer sets in cardboard boxes stacked upon one another in the back warehouse, our own personal Mount Everests; conquests marked not by flags but in the amount of dust in our hair, the dirt under our nails, the sting of deep paper cuts on the insides of our elbows. Here we were privy to a parade of characters: my father’s customers, his employees and friends. The strange became ordinary--different became our everyday. When we were hungry, Charlie Hershey, my father’s right-hand-man who happened to be a dwarf, would take us out to Taco Bell or The Chicken Inn and make us laugh so hard we would fart and beg for mercy. What we didn’t know until we were older were his midnight hours after work. While we slept sound in our castle--protected by night-lights, luck, our last name--Charlie could be found at the strip club, or at Bob’s Chug-A-Lug looking for easy company, for comfort in dark bottles that would not show his fun-house reflection. When I heard he died this year I remembered meeting him for the first time. I sat in the car on the way back home from dad’s store, quiet, wheels turning in my head until I said, “Mom, Charlie needs to have some more birthdays.”
One night Mr. Knauf showed up at my dad’s store when it was closed. He wanted to buy a television. My mother, having never met the man or having even seen him, recognized him for who he was despite the fact as he knocked on the front glass doors. When you are rich in a small town, and are of a certain disposition you expect favors. My mother, quick, found my father to tell him “Thies Knauf is at the door.” My father, more curious than obsequious, opened the doors for him. He was dressed impeccably, like Jay Gatsby, like Dapper Dan. He looked at a few models. He chose one and left. The store was quiet with the deflation of myth. Thies Knauf was no longer a mystery, he was an RCA man, just like my dad.
In Little League there are rich teams and poor ones, teams that are desirable and teams that reek of desperation and failure before the season starts. The good players go to the rich teams and the bad ones don’t. Knauf had a team, of course. My dad’s store sponsored a team for a few years. Little League is like any other democracy, in that it isn’t.
My parents were wealthy in a poor town. Our house was a Victorian mansion that took up half a block. It was only home to me, bigger than my friends’ houses but it gave me no pause, it was no Knauf monstrosity. The strange becomes ordinary. My parents were ambitious, and busy. They hired a babysitter, Renee, who took care of my brother and I at her house after school. She made us butter and sugar sandwiches for a snack. Her son and daughter, Tony and Jada, rode the roller coasters at King’s Island with us, teaching Chris and I that fear could be a wonderful thing as long as someone held your hand. Her husband, June, was the biggest man I had ever seen, he picked me up with one hand and held me aloft until my back scraped the sharp plaster pebbles of their ceilings. They used to take us to Noble Roman’s for pizza when my parents worked late. My grandfather saw us there one night while getting take-out. An unbearable bigot, he chastised my parents, telling them the picture was strange, these two towering, rotund black folks with these two little white kids squirming all over the burgundy fake leather booths laughing like no one else was there. The statistics for Shelbyville from the last census say that Blacks make up less than 2% of the population. One of the most important stories of Shelbyville could be told by what is missing, what refuses to change. She was a Jehovah’s Witness and her church shunned her for going in a bar. They refused to speak her name, literally turned their backs on her and made her sit in the last pew alone for service. She set herself on fire and left her husband and two children to piece together their own narrative from what remained, from what was missing. Ashes. The Holy Spirit. A melted gasoline container. My family was on vacation when it happened. She circled our block in her car, looking for my mother before driving to a parking lot on the edge of town and setting her heart on fire. She found darkness there, no doubt, but not God, nor any hand to hold to make the fear better.
Whenever I tell a woman of a certain age that I am from Shelbyville, Indiana, their faces go still until they remember, that’s right, I know that town and ask me, “Did you see that article in Time? That piece on Oprah?” They know my hometown as the example of a town that failed its children. Shelbyville is the town that spent millions on education, on top-of-the-line facilities, on counselors of every stripe, only to have the highest dropout rate in the state. I did see that piece on Oprah, one late night, in an empty bar in Raleigh, North Carolina, the station left on after a UNC game. Gut punched and sick I saw the streets of my hometown on parade as an example of How Did It All Go Wrong? I saw it, and I tell them no, that’s not the one.
The teenagers initially have few options for jobs; the unemployment rate is almost 12%. Those that do find jobs work in fast food, detassel corn in the summer, power-wash houses. One group of friends always takes over The Bear’s Den, a relic of 1950’s carhop culture, with root beer on draught and girls on skates. My childhood best friend worked there when we were in high school. She tells me, “I think you would have worked there too, had you still been in town.”
Kids drive “The Strip” after work, the short loop between the circle downtown and the Kroger out in the newly developed part of town. Sometimes they go out in the country, where someone fastened a plastic chicken and cow on a farm fence. It became a destination, something to do and somewhere to go, as in “let’s go to chicken and cow.” The kids, they meet out there, bathed in moonlight but protected by darkness, by obscurity and randomness, smoking pot because it’s easier to get than booze, or just talking, endlessly talking about how nothing is happening, about getting out. These are the things you do when you have nothing else to do.
Our elementary school, the one just a few blocks from my old home, it sits abandoned now. It is filled with the debris of crumbling hallways, papers graded but never returned, the dust and dirt of neglect, lost memory, childhood. I can not bear to see it now, humbled, unbelievably small, unrecognizable. The basketball hoops have no nets on them, that is how I know it is forgotten.
A few years ago, Shelbyville was on the news. Knauf was on fire, the building burning. It was so bright, it lit the whole town up; the alleys and back ends of parks, beneath bleachers, the pale underbelly of normal. They rebuilt the factory, made it bigger, tearing down houses on the darkest, most neglected streets. When I was little, I saw the smokestacks and I believed that was where the clouds were made, where the door to heaven could be found.
Tuesday, August 25, 2009
Week four round up and some thoughts on writing
Dinners in: six
Gym visits: at least three but I think four
I am feeling pretty good as the weight loss continues and I am noticing a difference in my clothes and my general health. I feel better than I did a month ago, and I'm not losing my mind with hunger. I just hope that as I I get further in to the school year I can keep up the routine. I gear up from 3/4 of a mile to a full mile every time I swim starting this week, so I'm curious to see how tired I'm going to be. My son of a bitching shoulder is still wonky as all hell so I think I'm going to have to go to the PT again, which is both a hassle and expensive. Also I need to go to the dentist, so someone should start harassing me about that until I go.
Ah, school. It is a difficult as I feared it would be but immensely worth it as it is already so much more rewarding than previous semesters. Thank God for no more 200 level classes or group projects or core classes or bullshit as I don't think I could take it anymore. Graduation hovers like a benevolent angel in a not-so-distant future and it is, as I imagine all angels would be, both terrifying and glorious. There is also something a little sci-fi about that simile and the idea of actually graduating, FINALLY, as Mamala would say. Lawd help me, Jeeezuhhss!!!
I had an amazing class tonight that served as a great reminder for why one of my majors is English. As much as I love love love reading, it is often such an isolated pastime that it can make me feel a little disconnected from people. I don't know how many times I have wanted to share the special brilliance of a passage or prescience of a viewpoint with no one to talk to about it, and ultimately feeling creepy as I laugh out loud and corner the cats with newly minted bon mots. I love talking about writing as much as I enjoy reading it but you can't make people love what you are reading from an anecdote and trying will just make me weep and pull my hair out. Glory glory the writing workshop. I am taking a creative nonfiction workshop, a class that meets just once a week but for three hours. It's not fiction, and it's not journalism but it borrows from both. It's often memoir but it doesn't have to be. I hope to steer clear of the all-memoir-all-the-time bent as there is PLENTY of navel-gazing being done right here, on this here old blog. Anyway anyway, we basically write and then critique one other which is good and makes you a better writer but the REAL JOY (for me) is making a group of people read a great and moving piece of writing (essays and excerpts from established writers) and then putting them in the same room and forcing them to FUCKING TALK ABOUT IT!!! Yes Lawd! Woot! This is like my dream come true! No more cats that are afraid of me!
OK, so tonight we had another professor sub for the regular professor who is in Nova Scotia or some nearly imaginary place. The sub was none other than the famous and universally beloved Dr. John Kessel, whose classes I have been trying to take, literally, for 10 years. He was, seriously, a-MAZ-ing. We talked about this extremely effective essay by Scott Sanders called "Under the Influence". What is so damn good about this piece is that is easily could have fallen into cliche, as it is about Sanders' memories of his drunken father, but he adroitly avoids sentiment and cliche. A man writing about his drunk father is like the masculine version of Mommy Dearest but at no time does Sanders evoke the "poor me" vibe of say, a Pat Conroy novel (whom I love but you know, I know what my weaknesses are). Instead, Sanders brings you under the emotional affect of the ten year old boy he was, and it's easy to empathize and sympathize with the child he was, avoiding the prat fall of a grown-up whining about how shitty his parents were. In fact, he only refers to the man he has become selectively, and just briefly, so the glimpses are powerful. In addition, he creates scenes that could be found in the best fiction: descriptive, pungent, visual words that pummel you. Emotional wording is limited, but the reader has no trouble realizing the emotional impact of witnessing your father drink himself to death. The power, as it so often is, resides in the details. In the end, his father is not demonized, but instead a study in dichotomy ; sometimes a monster, but often a weak, frail, and deeply sick human being. He also provides portraits of others: his mother, his neighbors, the adult children of other alcoholics. These portraits provide a resonance and a thoughtfulness that is lacking in most memoir nonfiction by going beyond personal experiences. The most interesting structure of the piece is composed of how the narrative unfolds. Sanders tells us in the first paragraph of the essay that his father died, "body cooling and forsaken on the linoleum of my brother's trailer". What in fiction would be the denouement, he gives to the reader within 50 words of starting the essay. The spectre of his father thus hangs over the reader, a menacing version of the ghostly grandfather from The Family Circus. Additionally, the real drama is in the integral suspense of of the progression of time, and his father's surprising but doomed 15 year dry spell. Like Hitchcock says, suspense is more interesting than surprise. His father's sober period is like a bomb on a bus that only you know about, and which explodes just like you knew it would. The piece reminds me of a eulogy, one that you might want to deliver, but never would. Funerals are for the survivors, after all, and so often is memoir.
Tuesday, August 18, 2009
Week Three Roundup
Last year, when President Kennedy was assassinated, who among us did not experience the most profound disorientation? Despair? Which way? What now? What do I say to my kids? What do I tell myself? It was a time of people sitting together, bound together by a common feeling of hopelessness. But think of that! Your BOND with your fellow being was your Despair. It was a public experience. It was awful, but we were in it together. How much worse is it then for the lone man, the lone woman, stricken by a private calamity?
‘No one knows I’m sick.’
‘No one knows I’ve lost my last real friend.’
‘No one knows I’ve done something wrong.’
Imagine the isolation. Now you see the world as through a window. On one side of the glass: happy, untroubled people, and on the other side: you.
I want to tell you a story. A cargo ship sank one night. It caught fire and went down. And only this one sailor survived. He found a lifeboat, rigged a sail…and being of a nautical discipline…turned his eyes to the Heavens and read the stars. He set a course for his home, and exhausted, fell asleep. Clouds rolled in. And for the next twenty nights, he could no longer see the stars. He thought he was on course, but there was no way to be certain. And as the days rolled on, and the sailor wasted away, he began to have doubts. Had he set his course right? Was he still going on towards his home? Or was he horribly lost… and doomed to a terrible death? No way to know. The message of the constellations - had he imagined it because of his desperate circumstance? Or had he seen truth once… and now had to hold on to it without further reassurance? There are those of you in church today who know exactly the crisis of faith I describe. And I want to say to you:DOUBT can be a bond as powerful and sustaining as certainty. When you are lost, you are not alone.
Friday, August 14, 2009
There is no self-created replacement for being genuinely loved.
Thursday, August 13, 2009
Love, Love Will Tear Us Apart.
I did have one bright spot, though. My terrific friend Julie, aka, The Beauty Whisperer, owns a great business,Beauty Ethics,that offers services such as haircuts, color and style, brows, waxing, facials, etc. Anyway, the BW is helping me get my skin in line after it has freaked out over being submerged in chlorine three times a week for 45 minutes. Hopefully things will improve with my new skin care routine.
Outside of that I have cried on the phone twice and in altogether separate incidents I have been disappointed by two people I love.
I have issues opening up to people, I'll be the first to admit that. But it doesn't help when people you care about consistently treat you as an afterthought. It also doesn't help when you ask someone to be there for you and they have their head so far up their ass they turn what you need into something all about themselves. This is not about the Bagel, btw as he is nearly a saint and a lovely person all the way around who always puts me first. Except when he drinks too much bourbon, but that's for another time.
Anyway, my giraffe necklaces from ETSY is shipping from Canada so it's going to be awhile. Something to look forward to.
Monday, August 10, 2009
Week Two Roundup
The conventional wisdom that exercise is essential for shedding pounds is actually fairly new. As recently as the 1960s, doctors routinely advised against rigorous exercise, particularly for older adults who could injure themselves. Today doctors encourage even their oldest patients to exercise, which is sound advice for many reasons: People who regularly exercise are at significantly lower risk for all manner of diseases - those of the heart in particular. They less often develop cancer, diabetes and many other illnesses. But the past few years of obesity research show that the role of exercise in weight loss has been wildly overstated...The basic problem is that while it's true that exercise burns calories and that you must burn calories to lose weight, exercise has another effect: it can stimulate hunger. That causes us to eat more, which in turn can negate the weight-loss benefits we just accrued. Exercise, in other words, isn't necessarily helping us lose weight. It may even be making it harder.
Sunday, August 9, 2009
More Waiting but "Coming Soon", They promised!
Saturday, August 8, 2009
Thursday, August 6, 2009
I need something to read
Tuesday, August 4, 2009
Bad Mood Rising
Monday, August 3, 2009
Week One Round Up
Gym Visits: 3
Dinners at home: 6
Well it's officially been a week and I am already feeling way better. The diet is going well and it feels good to return to the gym though my hair probably hates me and is going to fall out from the chlorine and the constant washing.
I still haven't begun ovulating despite having been on the medication for a week now, and I have called the NP to see when I should expect to. I hope to hear from her by tomorrow.
I should say, there has been a tremendous outpouring of love and support from an abundance of you. I have heard from so many of my friends and family members, some whom I don't get to speak with often and it has done me well. I especially appreciate the numerous people who have written in with PCOS success stories, as it give me a little more hope with each one. Please continue to read and leave comments and email me as it's nice to know this blog isn't just "a bone thrown from the void that lies quiet in offering to thee" as Joanna Newsom says.
This weekend Bruegers Coffee (BC) and Future American Business LEader (FABLE) came and brought My Hot Pepper (MHP). We also had over Ruthless Rummy Ringleader (RRR) as The Wrestler and Queens Blvd. #1 (QB1) were in New York City over the weekend. It all went pretty well but was stressful due to 1) too many cooks in the kitchen 2) running behind schedule 3) I am a crazy person on these god dang hormones. Later I got sick because the food was too rich and I have to be really careful as I am on Alli. I am one of the few people who has zero side effects as long as I stick to my diet so it sucks when I make a mistake or underestimate the fat content of a meal.
I can really tell how much I am being affected by the medicine when I get stressed out as I start freaking out so easily and screaming about the smallest things. I managed to yell at Momala despite the fact that she's still recovering and we were discussing a hypothetical situation. I am an assahat. I have also cried about sixteen times this weekend, mostly over documentaries or movies. We watched Gran Torino last night and it far surpassed my expectations, and of course, made me cry a lot. Clint Eastwood portrays the first likable racist I've ever encountered and thus his performance at times left me conflicted. He just so damn entertaining. I also identified with certain parts of his character, like his disbelief in religion as evidenced by what he tells an overeager priest: "I think you're an over-educated 27-year-old virgin who likes to hold the hands of superstitious old ladies and promise them everlasting life. " Wow. It's probably a bad thing that I connect to such a horrible person, and despite his late in life transformation, he was a really lonely person who wasted a lot of time being angry and hateful. It was a pretty good reminder that life goes quickly and if you aren't careful you can alienate the people you love, or be left by them until you are all alone. And then you have to befriend the Hmong neighbor kids to save them from a fate of poverty and violence. That doesn't seem like something I would be into.
All that to say, I am sorry if I am a crankmonster, I don't mean it.
By the way, last night I fixed what might be my favorite diet recipe ever last night, potato corn chowder. When we had BC, Fable, MHP and RRR we grilled a bunch of corn that we did not even eat as there was a lot of other food. Instead, I used the corn for this recipe and made a couple of substitutions and additions (more potatoes, skim instead of 2%, ground sage). It was flipping delish and light enough that we could have big 2 cup portions. Definitely a new keeper.
Goals this week include getting a haircut, cleaning the pantry and swimming a mile at least three times. I also need to send out thank you cards for our wedding (almost a year ago!) as my time is definitely going to be limited after school starts.
In tribute to everyone getting along here is my favorite viral video ever, which a lot of people accused of being a hoax but here is a hilarious fake budget for the supposed cost of the hoax that the Matt dude presented in a speech at Macworld.
Sunday, August 2, 2009
Fantastic, indeed
Friday, July 31, 2009
one MILLION giraffes
OneMillionGiraffes.com
Note! All giraffes must be hand-drawn, but they can be delivered in various ways (Twitter, mms, snailmail, facebook and so on).
Thursday, July 30, 2009
It's a Man's World
James Brown said it best. Ugh. Completely disgusted with the world today. It seems like everyone I care about is going through something awful.